Books | Links | Tips | The Site | What's New | Comments        
Sophonisbe
 
The suicide of the Carthaginian woman, Sophonisba, in 203 B.C., was one of the most dramatic episodes of the final stages of the Second Punic War. The story of her death, probably much embellished, was recorded by Livy (30.12.11-15.11), Diodorus (27.7), Appian (Pun. 27-28), Cassius Dio (Zonaras 9.11), and possibly Polybius (14.4ff.).

Sophonisba was the highly attractive daughter of Hasdrubal Gisgonis (son of Gisco), one of the few non-Barcid commanders who had achieved prominence during the war, having been responsible for the defeat and death of Scipio's father in 211. Sophonisba had been used by her father as a political pawn in his attempts to win the support of the Numidian chieftains, Masinissa and Syphax. She may have been betrothed to Masinissa in 206, but when Scipio managed to lure Masinissa to the Roman side, Hasdrubal shortly thereafter arranged her marriage to Syphax. She pushed Syphax to fight with Carthage against Rome.

When Syphax was defeated at the fall of his capital city, Cirta, by the coalition of Laelius, Scipio's trusted lieutenant, and Masinissa, in 203, Sophonisba as well as Syphax himself, were among those taken prisoner. Masinissa was completely overwhelmed by his encounter (or reunion) with her, and married her immediately.

But Scipio was probably apprehensive lest she should exercise the same influence over Masinissa which she had previously done over Syphax and refused to ratify this arrangement, and, upbraiding Masinissa with his weakness, insisted on the immediate surrender of the princess as Roman war booty so she could be taken to Rome.

Unable to resist this command, the Numidian king in his distress spared her the humiliation of captivity by sending her a bowl of poison, which she drank without hesitation, and thus put an end to her own life (Livy, xxix. 23; xxx. 3-15; Polyb. xiv. 1, 7; Zonar.ix. 11-13).

As for Sophonisba, none of our sources mentions explicitly that Scipio intended that she appear with Syphax and other prominent prisoners in the triumphal parade. In Livy's account (30.14.9-10) Scipio may imply that this was his intention, saying that Sophonisba was included among the praeda populi Romani and that she would have to be sent to Rome to have her case decided by the Senate and Roman people. Zonaras' summary of Dio's account may also suggest that Sophonisba, by her death, avoided being paraded in triumph. As Masinissa presents her with the liberating poison, he dramatically declares his own willingness to die in her place if that would guarantee her "liberty, and freedom from outrage". The outrage to which Masinissa refers might, of course, be rape or other physical violence, though that seems unlikely given Scipio's well known civilized treatment of female prisoners. Rather, the outrage implicit seems strongly associated with the degradations heaped on those who were led in triumph. This interpretation of Masinissa's concerns seems confirmed by a passage in one of the homilies of St. John Chrysostomus which virtually defines the triumph in terms of the humiliations suffered by prisoners led in the procession.

Though Polybius twice alludes to the marriage of Sophonisba and Syphax (14.1.4; 7.6) in his lengthy description of Laelius' operations against the Numidian chieftain, nowhere in the extant portions of Polybius' text is Sophonisba actually mentioned by name, nor is it certain just how much of her story was contained in his account. Walsh and Dorey (n.1) believe that Polybius, who had actually met Masinissa (9.25), was the original source from which many of the details found in later accounts derive. This view is contested. Zonaras (9.11.1, reflecting Dio fr. 57.51), Appian (Lib. 10), and Diodorus (27.7) all suggest that Sophonisba was first betrothed to Masinissa. Livy (30.12.11) implies that she first met Masinissa only at the time of her capture, in the company of Syphax, in 203.

Polybius twice (14.1.4; 7.6) refers to Sophonisba by the diminutive, which, though it may not have been intended in a derogatory tone, none the less, does not suggest an heroic description. In the second of these passages Polybius ridicules Syphax for having less courage than even his "child bride".